Exploring the nature of expected associations, each film offers an alternative perspective on a socially subjective matter and the preconceptions we rely on daily to have a categorical sense of the world around us.

Utilizing surrealism to disrupt conceptual-driven processing, the subject, only becomes apparent through abstract forms. Forcing the viewer to build perception through influence-driven processing. This is achieved by employing the use of modified cameras shooting outside the visible light spectrum, long exposure photography, augmented movement, experimental light and sound design, and altered environments.